$.25 from each ticket purchased will go to The Shout Syndicate, a Boston-based, volunteer-run fundraising effort who raises money to help fund youth-led arts programs at proven non-profit creative youth development organizations in Greater Boston. Housed at The Boston Foundation, The Shout Syndicate works in partnership with the Mayor's Office of Arts & Culture's creative plan, Boston Creates.
FUZZ is Ty Segall (drums/vocals), Charlie Moothart(guitar/vocals), and Roland Cosio (bass).
They’re heavy-rock lifers – three California-bred dudes who have been refining their riffs and getting weird together since high school (which wasn’t that long ago, actually).
If you are not already aware of Segall, well, what’s up? He’s one of garage-rock’s most prolific sons. He said he was going to take it easy this year, but by the time you finish reading this press release, the one-sheet for his next record will have already arrived in your inbox. Moothart plays guitar in the Ty Segall Band and was also a member of The Moonhearts, which included Cosio on guitar. Way back in the early ’00s, all three played in the Epsilons.
FUZZ was formed in/around 2011 as a collaboration between Segall and Moothart, but it’s only within the last year that the pair had sufficient time to guide the band out of side-project limbo and into a recording studio. Since then, they have released two singles,”This Time I Got a Reason” (Trouble In Mind) and”Sleigh Ride” (In the Red). Around the time of the second single, Cosio joined on bass.
They are not dabblers or dilettantes. FUZZ have flipped through used bins, hard drives, and record collections of the world, seeking out the finest weirdo cuts. The band’s self-titled debut LP, which was recorded by Chris Woodhouse (Thee Oh Sees, The Intelligence), dives deep, drawing inspiration from the more esoteric reaches of heavy metal pre-history. There are Sabbath and Hendrix nods, obviously, but on “Sleigh Ride” you might also catch a whiff of UK progressive blues business like The Groundhogs, particularly when the song quits its 10/4-time intro and reboots into full bore choogle. Maybe you’ll even glimpse the ghost of Australian guitar-legend/sharpie guru Lobby Lloyde sniffing around “Raise.”
The mood is not light. The songs project a state of perpetual paranoia and eroding mental health. And as it should be, you know? It’s a record for the burners.
FUZZ’s self-titled album is out October 1 on In The Red.