Frankie Cosmos – Tickets – The Sinclair – Cambridge, MA – May 2nd, 2018
Florist, Lala Lala
Wed, May 2, 2018
Doors: 7:00 pm / Show: 8:00 pmThe Sinclair
$16 advance / $18 day of show
This event is 18 and over
The Sinclair is general admission standing room only. Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM.https://www.sinclaircambridge.com/event/1644769/
Frankie Cosmos has taken several different shapes since their first full band album, Zentropy, erupted in New York’s DIY music scene in 2014. For Vessel the band’s line up comprises of multi-instrumentalists David Maine, Lauren Martin, Luke Pyenson, and Kline, who each contributed their own musical sensibilities to help shape the sound of the new record. In between tours supporting their last album, Next Thing, Kline brought new songs to the band’s rehearsals, and together the members collectively participated in turning them into full band arrangements. As a result, the album’s staggering 18 tracks implement a range of instrumentations and recording methods unheard of on the albums preceding it, while still maintaining the succinctly sincere nature of Kline’s songwriting.
The album’s opening track, “Caramelize,” serves as the thematic overture for Vessel, alluding to topics like dependency, growth, and love which reoccur throughout the record. The song strings together a scope of musical motifs and showcases the intense dynamics in both Kline’s lyrics and the band’s performance that continue on the tracks that follow. Although many of the scenarios and personalities written about on Vessel are familiar territory for Frankie Cosmos, what’s really changed on the new record is Kline’s nuanced point of view and her desire to constantly question the latent meaning of her experiences. In the album’s first single “Jesse,” Kline grapples with the startling personal epiphanies in life that stem from dreams and subconscious realizations. On another single, “Apathy,” Kline confronts her own insecurities around personal change and feeling distant from the people she once had a close relationship with. Then later on the album “Accommodate,” deals with the complexity of being in a community that would rather turn its nose a problem than hold its members accountable. “Being Alive” stands out as one of the few old bandcamp-era Frankie Cosmos songs the band reworked for Vessel, and shows the rhythm section quickly shifting between fast and slow tempos as Kline ponders the minutia of existence. Kline’s dissonant lyrics are paired with the band’s driving, jangly grooves creating several moments on the album where the bandmates’ chemistry playing together is brought to the forefront.
To record Vessel, Frankie Cosmos traveled back up to Binghamton, New York to work with Hunter Davidsohn, the producer and studio engineer who helped craft the sound for Zentropy and Next Thing. The band spent 3 days upstate tracking drums, bass, guitars, and vocals, favoring the spontaneity of reel-to-reel tape over the meticulous perfectionism caused by recording digitally. Then the band and Davidsohn continued recording the album for another three days in Brooklyn with Carlos Hernandez and Julian Fader at their studio, Gravesend Recordings. As Frankie Cosmos started testing out new songs for Vessel on the road, the band invited members from their fellow touring bands to join them on stage to sing or play parts on tracks like “Being Alive” and “Jesse.” Once in the studio, the band decided to invite those same friends and more to contribute parts to the final recorded versions including Alex Bailey (formerly of Warehouse, who has replaced David Maine as a permanent member of the live band), Vishal Narang (of Airhead DC), and singer/songwriter Anna McClellan. After six days of recording, Davidsohn continued mixing the album back upstate and eventually sent the finished album to Josh Bonati to be mastered.
Vessel’s run time is exactly double the length of Frankie Cosmos’ breakout record, Zentropy, and serves as enormous leap forward in the band’s catalog. But ultimately, the album’s unique sensibility, esoteric narratives, and reveling energy, allow it to exist as just another distinctive chapter in Kline’s ongoing musical auto-biography. Through Vessel, Kline provides the listener with a spectrum of disparate anecdotes, observations, and affirmations and then tasks them with arranging the pieces in a way that they can make their own sense of. Typically albums by artists at a similar stage in their career are written with the weight of knowing that someone is on the other end listening. Yet, despite bringing attention to her audience in direct references, Kline and the rest of Frankie Cosmos have passionately written Vessel with a clarity not muddled by the fear of meeting anyone’s expectation.
52 Church St
Cambridge, MA, 02138