Baths – Tickets – The Sinclair – Cambridge, MA – April 18th, 2018
No Joy, SASAMI
Wed, April 18, 2018
Doors: 8:00 pm / Show: 9:00 pmThe Sinclair
$18 advance / $20 day of show
This event is 18 and over
The Sinclair is general admission standing room only. Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM.https://www.sinclaircambridge.com/event/1594198/
Wiesenfeld’s trip began at age 4, when he willed his parents into enrolling him in piano lessons. (The family upright, purchased that same year, sits in his bedroom today.) By 13, he’d begun artisting his own music using Digital Performer and MIDI keyboard – a brief, ill-advised foray into Eurobeat that was set right when Wiesenfeld heard Bjork for the first time. Mind blown, he quickly boned up on viola, contrabass, and guitar and took the name [Post-Foetus], stringing together countless live configurations to execute his increasingly inimitable compositions. [Post-Foetus]’ fourth album – a Dntel-ish, song-based melange dubbed The Fabric – was released on Mu-Nest in January.
Though Baths represents the next evolution in Wiesenfeld’s oeuvre – which also includes the excellent ambient project Geotic – it came together under nigh-opposite circumstances. Last September, [Post-Foetus] was invited by L.A. electronicist Daedelus to share a bill with a handful of local Beat Music luminaries. Witnessing a burgeoning movement firsthand sparked something in Wiesenfeld that the ‘burbs never could. In a fit of inspiration, Baths was born, though not into a preexisting scene. As is to be expected, this music goes its own way: fueled by spontaneity, tempered by Wiesenfeld’s background in classic songwriting. Those two influences collide in glorious ways on Cerulean, Baths’ stunning debut.
Where No Joy’s last album, Wait To Pleasure balanced textural differences with the freewheeling novelty of the studio environment, More Faithful documents a much more rigorous creative process and performance. For More Faithful No Joy worked with musician and producer Jorge Elbrecht (Ariel Pink’s Haunted Graffiti, Chairlift, Lansing-Dreiden). Recording was split between tracking at Brooklyn studio Gary’s Electric and an old farmhouse in Costa Rica.
In this rural Costa Rican setting, Elbrecht created a makeshift but nurturing studio environment where he and No Joy did the mixing, overdubs and cut vocals for 12 hours a day. Repairing themselves to an isolated environment strengthened No Joy’s regimented approach to making a record that satisfied their vision.
There is no question that More Faithful is the most forward, throttling record No Joy has made, taking their sound to the wall in a brazen display of beauty-laced power. At times More Faithful is heavier than anything they’ve done yet, while also their fastest – riffs shooting upward in discord and drifting down in angelic harmonies.
52 Church St
Cambridge, MA, 02138