The Green – Tickets – The Sinclair – Cambridge, MA – January 25th, 2018
Thu, January 25, 2018
Doors: 7:00 pm / Show: 8:00 pmThe Sinclair
This event is 18 and over
The Sinclair is general admission standing room only. Tickets available at AXS.COM, or by phone at 855-482-2090. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM.https://www.sinclaircambridge.com/event/1573582/
Afterwards, the band jumped on a plane to the mainland and started a heavy touring cycle. On the strength of their debut album, The Green struck a record deal with ground-breaking independent reggae label Easy Star Records to record their sophomore album, Ways & Means. Ways & Means hit #1 on the iTunes and Billboard Reggae charts and the band embarked on more intense touring; supporting acts like Rebelution, Iration, SOJA and Damian Marley. They also played at acclaimed festivals including Vans Warped Tour, Wakarusa, Sierra Nevada World Music Festival and California Roots Festival.
Despite all the time spent away from home, Hawai‘i never left the band’s day-to-day life on the road. In almost every state, the band met Hawaiian ex-pats, driven away from their home state for reasons both economic and social. The Green’s concerts became a place where Hawaiian natives could gather and for one night, share a bit of Aloha spirit from the Pacific islands they call home.
“Hawaiians living on the mainland will come to our shows and say ‘I haven’t been home in years! You remind me so much of home,’” says multi-instrumentalist-songwriter Brad “BW” Watanabe. “I feel like that’s our service in some way.”
In early 2013, The Green retreated to Hurley Studios in Costa Mesa, CA, to record their third album with Danny Kalb (Ben Harper, Beck, Jack Johnson), the band’s first outside producer/engineer, at the helm. In addition, the group brought in Joe Tomino, drummer from Dub Trio (who also double as Matisyahu’s backing band), to handle the drums for the sessions.
“We were worried about it because we always recorded everything ourselves,” Kennedy admits. “But when we added Danny Kalb to the mix, and Joe on the drums, they just brought so much to the sound of the songs.”
The addition of an outside ear helped sharpen the band’s direction, and the 13 tracks on Hawai‘i ’13 sound focused and pointed, despite the group’s many different songwriters. “All of us contribute to the creation of a song,” says guitarist-vocalist Zion Thompson, “whether it’s lyrics or music, it’s always collaborative.”
“Everyone respects each other’s opinions,” Thompson continues. “Everyone has their place and everyone makes room for it to work.”
The album’s songs span soulful lover’s rock (“Striking Up A Love,” “Take Me On”), heavy roots workouts (“Good One,” “Forgive Me”), smooth R&B ballads (“Chocolates & Roses”), roots reggae-pop hybrids (“Power in the Words,” “Good Vibe Killah”), and herb anthems (“Hold Me Tight”).
The Green hit all the right notes with their first two albums, but the band members are still coming to grips with the personal toll of success. Bands from the mainland may be used to touring from state to state, but that’s no small step for a group from a small island in the South Pacific. “While I face a dozen spotlights, you’re crying at home,” goes “Something About It,” one of the lead singles from Hawai‘i ’13. “Sit by the phone. You think I’m alone, wishing I could be there. But the music’s got me traveling on.”
The Green struck the reggae community hard with their debut in 2010. Their sophomore LP Ways & Means solidified their status as a force in reggae music. With Hawai‘i ’13, the band aims higher. The album collects 13 stellar tracks by a group with an insatiable urge to push their music onto the global stage. Some songs punch and some songs sway, but ultimately they all blend to form a new shade of Green.
Jesse’s official debut album, Lily Of Da Valley, drops October 6, 2017, in partnership with the New York-based tastemaker label Easy Star Records. Written largely in conjunction with producer and mastermind Llamar “Riff Raff” Brown, who has contributed to a number of Grammy-winning and Grammy-nominated projects, the album represents where Jamaican music is right now, a seamless blending of classic roots with contemporary production and superb musicianship. New songs like “400 Years,” “Generation,” “Life’s Sweet,” and “Always Be Around,” will become staples of Jesse’s catalog, which includes earlier megahits like “Modern Day Judas” and “Finally.” These two gems have garnered a combined 10 million listens on streaming services worldwide so far and are included on the album along with the new songs.
With Easy Star, he joins an international family of bands that includes The Skints, Rebelution, The Black Seeds, The Green, Gentleman’s Dub Club, Easy Star All-Stars, The Expanders, John Brown’s Body, and other artists that are evolving reggae from New York to London to New Zealand to Hawaii and beyond. The rest of the team Jesse has assembled puts him in good company: he is managed by Lukes Morgan, of the Grammy-award winning reggae family Morgan Heritage, who in the past year helped break Raging Fyah on the scene en route to a Grammy nomination themselves. Cristy Barber, a trailblazer in reggae music who has helped the careers of Damian “Jr. Gong” Marley, Stephen Marley, Beenie Man, Buju Banton, SOJA and many others, is overseeing the marketing campaign. And his team in Jamaica includes his longtime friend Kareem “Remus” Burrell, the son of Fatis Burrell, of Xterminator, one of the most important producers/labels of the dancehall era, and an early mentor of Jesse’s.
In the lead up to Jesse’s first full length release, he has already been covered by major media outlets such as Vogue and Vice. He has worked closely with the Major Lazer team, releasing a popular mixtape with Walshy Fire, which resulted in his song “If I Give You My Love” being featured on their cartoon TV series via FXX Network. He has made music with Bad Brains and performed alongside the pioneering punk/reggae band at the Afropunk Festival. He has already toured extensively in the US, UK, and Europe, playing major festivals like Cali Roots, Boomtown Fair, Reggae On The River, and Rototom Sunsplash. He obviously thrives on the unconventional approach, while still keeping grounded in the history of reggae. That’s why he often bristles at being grouped into a movement being called “Reggae Revival” – because to Jesse, he is not reviving the past; he is firmly rooted in the here and now, with an eye on the future.
52 Church St
Cambridge, MA, 02138