Thurston Moore Group – Tickets – The Sinclair – Cambridge, MA – July 20th, 2017
Thurston Moore Group
Taiwan Housing Project
Thu, July 20, 2017
Doors: 8:00 pm / Show: 9:00 pmThe Sinclair
$20 advance / $23 day of show
This event is 18 and over
The Sinclair is general admission standing room only. Tickets available at AXS.COM, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only.https://www.sinclaircambridge.com/event/1475873/
The songs Thurston wrote for Rock n Roll Consciousness were brought to life and galvanized by the tight bond of friendship amongst the musicians, a line-up with which he's been working since 2014: Deb Googe (of My Bloody Valentine, Snowpony) bass, James Sedwards (Nøught, Chrome Hoof) guitar and Steve Shelley (Sonic Youth, Crucifucks) drums. The recording highlights the group's instrumental strength and beauty following two solid years of touring 2015's critically acclaimed The Best Day album.
Rock n Roll Consciousness offers a wild leap forward in its expansive, anthemic and exploratory investigations, heralding love between angels, goddess mysticism and belief in healing through rebirth. Inspirited by radical love and the energies of the challenged soul of Mother Earth/Nature in direct resistance, the music is decidedly charged by the force of positive action and a great, true love where the feminine/masculine come together in fluid unions of beauty and light.
"Exalted", with lyrics by poet Radio Radieux, is an unfolding and emotional journey in homage to sacred energy and exaltation — a drug-infused visit from sacred womyn, sibyls, prophetesses, oracles, and goddesses reclaiming consciousness.
"Cusp" is a springtime charging, propulsive singing, moving march of noise and layered harmonics, with a feeling of Sonic Youth mixed with My Bloody Valentine. Radio Radieux' lyrics (with background vocals by Deb Googe) evoke the bliss of total love where all dangers subside and creative power engages trans-mind energy.
"Turn On" is a pop-sonic poem to holy love both intimate and cosmic — a patient, yet driving song, which opens space for lead guitar extensions by James Sedwards.
"Smoke of Dreams" focuses on the contemplative mystery of life-defining time travel which sees Thurston recalling a New York City where spirits informed artists seeking poems of beatitude and sonic prayers of joy and wild wonder.
"Aphrodite”, a strange and heavy No wave rocker in salutation to the icon of love, beauty, pleasure, and procreation, enumerates tools beyond the consciousness: electric guitars, the power of mind, imagination, will and intention to practice magick. Thurston sings of spells and possession as he and James pick up energies from string sorcery in a true group séance. Steve Shelley transmits the power of the symbolic into actual shimmering cymbal resonance and Deb Googe's bass weaves a mesmeric psychic shaping — all in service to the mystic song.
Rock n Roll Consciousness is a new and exhilarating chapter for Thurston Moore and promises to be a creative highpoint for anyone interested in his legacy of avant-garde music and writing. Serious, precocious yet strangely accessible, Rock n Roll Consciousness is as strong a statement as anything he has recorded these last three decades: from Sonic Youth, the band he founded in 1980, to his solo work ranging from 1995's Psychic Hearts album, to the Beck-produced Demolished Thoughts album of 2011, as well as his myriad collaborations and completely outside-the-margin recordings on a litany of labels (as detailed in author Nick Soulsby's new investigative book We Sing A New Language - The Oral Discography of Thurston Moore).
The Thurston Moore Group commence touring springtime 2017 featuring the line-up of James Sedwards, Deb Googe and Steve Shelley in USA, UK, Europe, Asia and beyond.
For aircraft, there’s air traffic control and for industry, patent laws, labor laws, etc.
Despite all the regulations, scofflaws are common and people “break the law” constantly.
The world of rock ’n’ roll bands is different. Though it prides itself as a libertine anarchy where all is permitted, unspoken rules are in place which nearly none dare transgress. In the modern era, these regulations are as strictly enforced as in any gulag.
Political statements must consist of kitsch platitudes, the music a rote recitation from the nostalgia file. Appearance must be mundane and performance a tame approximation of a half remembered snore-fest from the golden age of “mTV unplugged.”
Any deviation will be punished —monetarily and critically— and rebels are banished to the kingdom of no-one-cares.
Faced with such prospects, conformity in “indie rock” is ABSOLUTE.
On the outskirts of this work camp though, is one notable rule breaker … a group of delinquents with outlaw values: style, ideas, physicality, vivacity … when turned to the “on” position, they resemble a terrifying power tool or downed “live wire.”
Who is this group that never got the memo to manifest mediocrity? TAIWAN HOUSING PROJECT: A band powerful enough to exorcise its audience of the degenerate culture which is poisoning them: Popular radio, mini series, political idiocy, toxic architecture, Hollywood film, and graphic design… stimuli created explicitly to numb and retard its victims, and to tame any deviant impulse.
Who are the members? TAIWAN HOUSING PROJECT was formed by KILYNN LUNSFORD (Ex-LITTLE CLAW) who, onstage, performs like a reborn Little Richard. Fur clad, ax wielding, slashing, tearing, “flame on.” MARK FEEHAN (ex-HARRY PUSSY) flanks the stage, picking and grinning like a loosed convict with a taste for vengeance. These two began the band as a experiment in perversity but it quickly transformed into a way of life, a hope bringer, a font of joy for them and their devotees. More members were added (Pat Ganley, Adam Cooper, Kevin Nickles, and Kevin Boyer of groups such as TYVEK, DAN MELCHOIR, WRITHING SQUARES, TICKLEY FEATHER, et al), shows were played, a 45 was released (on the excellent M’Lady’s imprint) and now ….. a debut ALBUM on KILL ROCK STARS RECORDS, called “Veblen Death Mask.”
“Sometimes you gotta burn the village to save it” is THP’s philosophy, and in keeping with that, their live style is a take no prisoners, destroy the stage, ecstatic orgy of sound.
BUT — cleverly concealed under the noise and abandon, TAIWAN HOUSING PROJECT play bewitching pop songs which could bubble up comfortably in a reform school disco or European youth hall.
“Multidimensional Spectrum”, and “Authentic Alien Perfume” are hit parade material. If the hit parade took a detour through a Hieronymous Bosch painting.
Spin this record — the “VEBLEN DEATH MASK” LP — and join TAIWAN HOUSING PROJECT in resisting the rules of the gulag.
- Ian Svenonius
52 Church St
Cambridge, MA, 02138