52 Church street
Cambridge
MA, 02138
617-547-5200

Come – Tickets – The Sinclair – Cambridge, MA – June 27th, 2013

Come

Come

27

Thu, June 27, 2013

Doors: 8:00 pm / Show: 9:00 pm

$15 advance / $17 day of show

Tickets Available at the Door

This event is 18 and over

The Sinclair is general admission standing room only.
Tickets available at TICKETMASTER.COM, or by phone at 800-745-3000. No service charge on tickets purchased in person at The Sinclair Box office Tuesdays-Saturdays 12-7PM, or at the Royale box office Fridays from 12-6PM.

Come
Come
"Enthralling, like watching someone howl into a rainstorm." --David Browne, Entertainment Weekly

Come. A cornerstone of the Matador stable 20 years ago. A band that requires no introduction, but here's one for the uninitiated.

New York, 1990. Guitarists Thalia Zedek (Dangerous Birds/Live Skull) and Chris Brokaw (Codeine) both relocate (separately) to Boston from New York, where a year earlier, bassist Sean O'Brien (Kilkenny Kats) and drummer Arthur Johnson (Bar-B-Q Killers), had moved from Athens GA. These parallel tracks (sub)merge and, fittingly, make beautiful music together. Soon after the four play their first show together, Sub Pop releases the "Car" 7" as part of their Singles Club series. Following a heated game of rock/paper/scissors with other competitors (Google it), Matador emerges as the lucky label that releases Come's first of many masterpieces, Eleven:Eleven.

Despite being one of the best albums in this label’s long history and one of the more memorable debut albums in an era full of ‘em, Eleven:Eleven has been out of print for far too long. Pitchfork has called it "one of the most elusive gems of the Matador catalog, known for its knotty, torrential guitars and anguished vocals."

Eleven:Eleven is essential to understanding the music of the '90s. From All Music: "One couldn't throw a brick around rock critics & college rock types in 1992 without hitting someone who’d talk about how Come was the new incarnation of the blues, often loudly and at great length ... But it's the Stones and acts like Patti Smith & Black Sabbath, not to mention the confrontation of no wave and other punk-inspired acts, that are more of a touchstone to what's going on than Robert Johnson. It's a uniquely sludgy, electric, strong fusion of sounds and styles, combining extreme angst and commanding power."

Brokaw and Zedek's emotional dual guitar work rivals Verlaine/Lloyd, chiming and majestic, cascading into feedback-ridden squalls informed by both punk and metal, sifted through one of the tightest rhythm sections ever assembled. Come toured extensively with Pavement, Sugar, Dinosaur Jr., and Nirvana, at those bands' request.

This May 21 sees this classic LP finally back in print, with a deluxe, remastered double disc reissue (2XLP, 2XCD) comprising the original album plus a bonus disc featuring Come’s October 11, 1992 performance at the Vermonstress Festival. The 2XLP edition will also include a bonus 7″, a reissue of the “Fast Piss Blues” b/w “I Got The Blues” single. Matador will handle the North and South American release; Glitterhouse will be reissuing Eleven:Eleven in the same configurations in Europe. It's all here. Again. For the first time.

After a handful of reunion shows in 2010 and 2011, Come’s original lineup will be playing selected shows later this year including the Primavera Festival in Barcelona (North American dates will be confirmed shortly. In addition, Thalia Zedek’s 5th solo album and first since 2008, ‘Via’, was released by Thrill Jockey in March.
27
27
27 is a Boston based band comprised of sisters Maria Christopher (vocals/guitars) and Terri Christopher (drums), and Ayal Naor (baritone guitar/samplers). Maria and Terri met in a car on the way back from the hospital...their mom had just given birth to her sixth child, five of which are girls. Later, they met Ayal.

On 27’s recent full length release, “Brittle Divinity”, the band was fortunate to work with some extraordinary talent. Andy Hong (Tape Op) recorded a number of tracks at his studio in Cambridge, MA. The record was mixed with Matt Bayles at the Red Room in Seattle, WA, and was mastered by Emily Lazar and Joe LaPorta at The Lodge in New York, NY.

27’s melodic dark pop finds its own path, as if it’s sprouting through a cracked cement playground at night. Their music moves easily from lushly full to gently sparse, revolving around the alluring and captivating vocals. Some tracks ignite a tripped-out vibe, while other songs explore a more visceral rock approach with sweet, contagious hooks. 27 has been compared to artists such as Fiona Apple, Portishead, Aimee Mann, PJ Harvey, and Regina Spektor.

27’s extensive touring has created a fan base which crosses over many genres and continents, winning over indie, metal, punk, and pop audiences alike. 27 has toured throughout North America, Europe, Japan and Iceland supporting bands such as Minus The Bear, Isis, and Cave In, and has shared the stage with an eclectic group of bands, from Robert Plant, Low, and Rasputina, to Mastodon, Earth, Pelican, and Explosions In The Sky.
Venue Information:
The Sinclair
52 Church St
Cambridge, MA, 02138

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