Tue, March 28, 2017
Doors: 8:00 pm / Show: 9:00 pm
$13 advance / $15 day of show
This event is 18 and over
The Sinclair is general admission standing room only. Tickets available at AXS.COM, or by phone at 888-929-7849. No service charge on tickets purchased in person at The Sinclair Box office Wednesdays-Saturdays 12-7PM. Please note: box office is cash only.
"Chicano Batman, a quartet from Los Angeles, embrace a kind of cultural ricochet effect, playing fuzzed-out soul with pan-Latin grooves and rhythms that reflect and demonstrate their Mexican, Central and South American heritage, but with musical roots pointing back to Curtis Mayfield and James Brown. If the music of the African diaspora boomerangs all over the world— picking up bits of regional flavor wherever locals develop a taste for jazz, blues, gospel, reggae and other styles—then certainly, Chicano Batman's sound is steeped in Tropicália from Brazil, Peruvian psych-rock and Mexican garage jams, as well as American soul. The styles all reflect off each other in one way or another. The band makes excellent use of wah-wahs, overdriven organ and generally retro effects, playing dance-friendly music that is still totally 21st-century American." – John Adamian, Relix Magazine
Hard to categorize, easy to love, 79.5 has been making tons of noise around New York City for the past year. With three lead vocalists, Kate, Nya, and Piya and a band that pulls influence from every corner of a record store, it's no wonder they are already taking the scene by storm. They are an act that gets put on as an opener and shortly there after is asked by the venue to do a month long residency. That residency leads them to a full page write up in The New Yorker before they even have a single out. The long and short of it is that 79.5 wins over the listeners wherever they play with an infectious energy. Between the arrangements of bandleader Kate Mattison and the prowess of all the players, their sets run a gamut of energies and tempos, whether breaking it down to a capella, turning it up to disco, or mastering the middle, they run the groove, and the crowd follows suit. Take all of that and put it in the studio with Big Crown's own Leon Michels on production duties and you get a record we can't wait to put out in the world, a record on which every song was recorded live to tape in one take.
"Terrorize My Heart", a tune leaving no room for gray, finds the ladies of 79.5 walking the line between vulnerability and forthrightness. Setting out with admonishments of love and infatuation that are checked by the bluntness of women who've lived in the Big Apple for years, "is it her or is it me, that's how it's gotta be". A smashing rhythm section covered in punching rhodes chops, flute parts, and dubbed out reggae rhythm guitar sets the perfect vibe for the ladies to trade off leads and come back together in three part harmonies: All the while taking the whole tune from half time to double time.
The B side, coined the Disco Dub mixed by Jens Jungkurth, finds Michels' production taking "Terrorize My Heart" from the change where it goes to four on the floor and lacing it with drums and a clap track that absolutely pushes this tune over the edge into the realm of dancefloor banger. Tombstones fall over, the earth cracks open, and dead people get up and dance when this comes on…
On a full moon SadGirl mysteriously surfaced out of the Pacific and staggered onto the streets of LA. Cousins Misha Lindes (guitar/vocals), Paul Caruso (drums) and Dakota Peterson (bass) don't remember much of their childhood (it was submerged at the bottom of the murky sea)
But now, the lo-fi, surf-wop trio is making waves. Proclaimed one of LA's Hardest-Working Bands by Oh My Rockness, SadGirl delivers an iconic, "DIY" package of sound and image, complete with logo and merch designs equally fashionable and punk-rock.
Like a twisted marriage between Roy Orbison and The Cramps (ordained by Link Wray) SadGirl invokes the music of a by-gone era. But don't be fooled, these aren't the tunes from Uncle Jimmy's juke box...