Doomtree co-founder, punk philosopher and lyrical bomb-thrower Stefon Alexander, aka P.O.S makes tight, declamatory music that builds on the Minneapolis-bred rapper and producer's penchant for grinding beats and radical lyrics. Known for welding hip-hop with guitar squalls, screamed vocals, and futuristic beats fit for a Berlin nightclub, P.O.S steps even further into genre-blurring territory with "sleepdrone/superposition," a nearly nine-minute-long sprawling masterpiece that touches on "being black, beefs, loves, hurts, victories, pride and the future" all while reflecting over the past two years since a kidney surgery sidelined him from making music. It's never felt better to have him back in action.
Transit22 is an Independent Music Award winner and Western Canadian Music Award nominated rapper, a Calgary poet laureate finalist and a winner of a Lieutenant Governor of Alberta Emerging Artist Award. He has released 6 albums which have sold thousands of copies, and has collaborated with Rhymesayers recording artist Grieves, Sims of Doomtree, Astronautalis, Madchild of Swollen Members, and 8-time Juno Award winner Jann Arden. Transit22 has toured as a headliner several times and has alsosupported tours of Canada, the United States, and Europe with Doomtree, Sage Francis, Swollen Members, Apathy & Celph Titled, Astronautalis, and Zion I, and has shared stages with internationally recognized names like Mac Miller, Tech N9ne, Murs, Hilltop Hoods, Dirty Heads, Down With Webster, Shad, and 54-40. Transit22 has been selected to showcase at prestigious festivals like SXSW, CMW, and Breakout West, and has performed live in front of over 200,000 people with a stint as a featured artist on the Calgary Stampede main stage. He has received national media coverage including features on Global TV, CTV, CBC TV, Shaw TV, CBC Radio One, in Maclean's Magazine, and regular MuchMusic rotation of his music videos, which have also gotten substantial support online with over 1,000,000 views on YouTube. Transit22 has also been awarded several FACTOR, Alberta Music, and SOCAN Foundation grants to further the development of his career.
Ceschi Ramos is a rapper and singer from Connecticut who has been hopping genres and spilling guts for the better part of two decades. He has been seen outside venues at 3am in Germany playing an acoustic guitar and singing to people that didn’t want the show to end. He has written poems to fans from behind bars whilst locked up on bogus marijuana charges. He has suffered a spiral fracture of the humerus while arm wrestling a marine in Hawaii. He has recorded with and toured alongside some of independent rap music’s most influential figures, including Sage Francis, Busdriver and Astronautalis. He has been in bands described as hardcore, crunk rap, lo-fi synth pop, Latin progressive and psych-jazz-rap. He has crafted abstracted and personal narratives mining the depths of depression and heights of hope. He has slept on countless floors when hotels weren’t in the touring budget and lost girlfriends and jobs all for the love of creating and performing.
Ceschi was born with four fingers on his right hand, which served as partial inspiration for the name of his DIY record label, Fake Four, Inc. Those who have worked with him describe Ceschi as one of the most artist-friendly labelheads out there, a rare breed who values art over profit almost to a fault. Since 2008, he has curated a roster of wildly original and critically praised talent and put out albums from the likes of Open Mike Eagle, Buck 65, Sister Crayon and Dark Time Sunshine in addition to his solo records The One Man Band Broke Up and Broken Bone Ballads.
An engaging, theatrical live performer, Ceschi Ramos has treated entire venues like a stage, viewing the middle of the audience or an empty barstool as good a place as any to perform a soul-baring folk song or tongue-twisting rap track. Ceschi once described himself in song as “a martyr at most… a failure at least” and said that, “In the eyes of history I’ll be no more than a leaf on a tree.” He knows what it is to suffer for his art and is aware that music exploring the ugliness and sorrow of the human condition will always exist on the fringes of a game dominated by disposable escapism and expensive publicists. Yet he still pours everything he has into his craft, and on any given night you can find him tracking vocals at his cousin’s New Haven studio, warmly greeting fans and friends at a dive bar merch booth or rapping double-time in Japan or Europe for audiences that often don’t speak his language, but are able to see the giant heart at the core of it all.